Artists and scientists, Frank Oppenheimer used to say, are the official noticers of society—those who notice what others have either never learned to see, or have learned to ignore. But the creation of novelty requires noticing what isn’t there, hasn’t happened, hasn’t yet been done. In other words, imagining. What are the possibilities? It is both art and science to translate these imaginings into worlds made of words, music, theories, virtual spaces and paint, plaster, bronze.
From a cosmological perspective, Dartmouth Professor of Physics and Natural Philosophy
Marcelo Gleiser will ponder whether scientists discover universal truths or invent
them. For millennia, natural philosophers and modern scientists have searched for
Nature's "Hidden Code," what Hawking and others call the "mind of God," the mathematical
blueprint of Creation. But is it all a huge fable, the result of monotheistic tendencies
in scientific thought? In his new book, A Tear at the Edge of Creation (already a
best-
Nonny de la Peña, Senior Research Fellow in Immersive Journalism at the USC Annenberg School, imagines that we will soon lose the divide between audience and character using virtual technologies. She will show how “immersive journalism” affords participants unprecedented access to the sights and sounds, and possibly feelings and emotions, that accompany the news. De la Peña has written for Newsweek, the New York Times, the L.A. Times and many others publications. Her feature length documentary films have been seen on national television and screened at theatres, festivals, and special events in more than fifty cities around the globe.
The purest idea of all is the one which has never been thought of, and therefore
never realized, says Yossi Govrin, co-
Borders & Boundaries |